Neda Razavipour uses divers range of representation and presentation strategies. The divers range of methods with different materials and techniques creates a connection between art and the everyday life. Neda in her practice distributes unfinished inventories of fragments: objects, drawings, photographs, craft and other inventions. Those materials and techniques are improvisational sites in which the constructed and the ready-made are used to question our making of the world through language of material and aesthetic.
By connection between art and the every day life, she tries to see different challenges from the political to social and even physiological dimensions of the current condition of the society, from her individual experimental artistic eyes. Without using direct language, she represents the complex challenges that have been imbedded into Iranian society and her individual life.